Shifting
I tense up, overshoot, or undershoot shifts
Shifting should be reduced to departure, travel, arrival, and verification rather than corrected only at the destination.
This governed route starts from what you can observe. It is source material and routing help, not a replacement for the current teacher seeing the player.
What you can observe
- shifting
- guide finger
- shift sequence
- thumb movement
First bounded action
Practice the departure note, release, guide motion, and arrival note as one small sequence with the thumb traveling with the hand.
How to check it
The arrival is close before any corrective slide.
Stop condition
Stop after three clean arrivals from a full reset.
What this route cannot tell you
This route can help name an observable violin problem and choose a bounded test. It does not override the learner's current teacher or diagnose an individual player from a webpage.
What Ben's clips show
Shifting: Departure, Travel, and Arrival1:52-2:39 · Tutorial: How to Play Bleach Never Meant To BelongSourceShifting: Departure, Travel, and Arrival0:22-1:08 · Tutorial: How to Play Bleach Never Meant To BelongSourceShifting: Departure, Travel, and Arrival1:20-1:42 · Boulanger: ricochet and false harmonicsSourceShifting: Departure, Travel, and Arrival2:17-3:00 · Tutorial: How to Play Bleach Never Meant To BelongSourceShifting: Departure, Travel, and Arrival0:30-1:34 · Tutorial: Samvel Yervinyan's Fast Violin SoloSourceI tense up, overshoot, or undershoot shifts: Transcript Evidence4:02-4:30 · Red Violin Gypsy Theme: Violin TutorialSourceI tense up, overshoot, or undershoot shifts: Transcript Evidence4:45-5:08 · Tutorial: How to Play Bleach Never Meant To BelongSourceI tense up, overshoot, or undershoot shifts: Transcript Evidence5:02-5:14 · Tutorial: How to Play Bleach Never Meant To BelongSource